How the Syrian Revolt Became Armed

The Bashar al-Assad regime has burned Syria with artillery, Scud missiles, barrel bombs and sarin gas. According to the United Nations Human Rights Council, it has committed “the crimes against humanity of extermination; murder; rape or other forms of sexual violence; torture; imprisonment; enforced disappearance and other inhuman acts.” Assad is responsible for the lion’s share of the violence, but criminal and authoritarian elements in the opposition’s Free Army and Islamic Front have contributed to the terror too. And the third force—the transnational Sunni jihadists, particularly ISIS—has murdered surrendered soldiers, opposition activists, journalists and gays, while subjecting religious minorities to forcible conversion or sexual slavery. Syria’s ancient heritage—most famously Palmyra—has been pulverized. Somewhere between 300,000 and half a million Syrians are dead. Almost twelve million have been displaced. None of this is pretty.

At the same time, coexistent with the horror, some Syrian communities are practicing democracy, organizing themselves for practical rather than ideological purposes, debating everything, publishing independent newspapers, running independent radio stations, and producing art, music and writing on a massive scale. This much more positive story is largely unknown outside the country. And that’s one reason why I, a British-Syrian novelist, and Leila al-Shami, a British-Syrian activist, wrote our book Burning Country: Syrians in Revolution and War.

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